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In Profile:
by James Wellesley

In Profile:

James Wellesley

Shortlisted: Bespoke Cabinetry/Installation Award

The International Design & Architecture Awards 2026

James Wellesley

Name: Christian Lawson
Company Name: James Wellesley
Position Within Company: Managing Director
Website: https://jameswellesley.co.uk/

Tell us a little about your background in design:
My background is in business within the built environment, working closely with architects, developers and design professionals.

I have been based in the UK for 20 years now, but an a native New Zealander. I am one of the main conduits liaising between different types of client and, ranging from architects, interior designers, developers, main contractors, and private individuals seeking
top-end luxury design solutions.

How would you describe your personal design style?:
As a company, we focus on bringing our clients’ design visions to life. In that regard, the scope of design capabilities and, therefore, design styles is both vast and extremely varied. I guess in terms of our ‘house style’, as we work predominantly with wood, our style would be about bringing out the natural beauty of the materials we work with.

In what direction do you feel that design is moving towards in a general sense?:
We are so fortunate to work with some of the best names in the luxury interior design sector, and are really at the forefront of helping them to realise their visions. Trends do come and go, but a few schemes we have delivered and are currently looking at include more
traditional detailing and painted exteriors, similar to the Rutland Gate kitchen, with accents of metalwork and specialist finishes.

At the moment, we are also seeing more curves featuring in joinery from dressing rooms and bars to radius corners in wall panelling and doors.

Technology is also advancing rapidly, so much of our work is about how to build these into the nuts and bolts of a design scheme so they remain invisible.

Name five key themes to consider when approaching design in the future.:
Looking ahead, we see a few key themes shaping the future of design.
Firstly, longevity over trend. Clients are increasingly investing in spaces that will endure both aesthetically and functionally. Secondly, liveable luxury: interiors must balance refinement with practicality, supporting the way people genuinely live. Thirdly, material integrity, where provenance, sustainability, and tactile quality are paramount.
Then there is integration with architecture; joinery should never feel applied but rather be intrinsically part of the building’s fabric.
Finally, personalisation at scale. Clients are seeking highly tailored environments that reflect their identity, yet delivered with efficiency and precision.

If you could offer one piece of advice when it comes to designing, what would it be?:
Our advice would be simple: design from the inside out.
Too often, design begins with a visual concept, when in reality, the most successful projects start with a clear understanding of how a space will be used. How does it need to function day-to-day? What does the client need to feel when they walk into the room?
From a joinery perspective, this approach is essential, as is bringing in the joinery company early.

This helps to inform aesthetics, but more importantly, to input on feasibility and functionality. We would also recommend that clients sit down to get a full understanding of budgets to avoid unnecessary reworking at a later date.

Once a design is tendered and costs are deemed too high resulting in value engineering which can have an impact on the initial design intent. The aesthetic then becomes a natural extension of that thinking, rather than something applied retrospectively. When designers, architects and makers collaborate in this way, the process becomes more efficient, and the outcome and design handwriting becomes more coherent.

It is this clarity at the outset that ultimately allows creativity to flourish, resulting in interiors that feel effortless, yet are underpinned by an extraordinary level of detail.

James Wellesley
James Wellesley
James Wellesley

How important are The International Design & Architecture Awards?:
What sets the International Design & Architecture Awards apart is their reach and visibility.
With thousands of industry professionals involved in the voting process, shortlisted projects gain meaningful exposure and engagement, far beyond what a traditional judging panel can provide. For artisanal businesses like ours, the value lies not just in recognition but in the dialogue. These awards create, bringing together architects, designers and makers to share ideas and raise standards across the industry.

In that sense, they are not simply an accolade but a platform that drives the evolution of design at the highest level.

What projects are you currently working on?:
A major focus this year is our involvement in WOW! House at the Design Centre, Chelsea Harbour (2 June – 2 July 2026), where we have created an entire bar environment celebrating contemporary joinery at its finest. This is for Lalique in collaboration with the leading interior design house Elicyon.

We have also been asked to get involved with Rigby & Rigby’s scheme for Samuel Heath. This bathroom design concept celebrates exceptional British craftsmanship through distinguished sets of sanitary ware, whilst creating a refined, timeless bathroom space that evokes the design qualities found in wellness spaces throughout Scandinavia and Japan.

What was your favourite project to work on and why?:
The Rutland Gate townhouse project, which we have been shortlisted for, was a significant achievement for the company and a real testament to the strength of our work and reputation.

Working under a design brief to renowned interior designer Paolo Moschino, we delivered bespoke joinery throughout.

From the kitchen and study in exotic palmwood to dressing rooms in flamed mahogany, it was a project built on bespoke joinery and transformed a bland space into a jewel box interior.

What was your most challenging project to work on and why?:
All the projects we undertake are challenging; it is the challenge of realising a design vision with meticulous attention to detail and craftsmanship that we thrive on.

One good example we worked on recently was a special project for the hugely talented Marie Soliman Bergman of Bergman Design House. This led us to build the substructure for a complex, fluted Carrara marble wall-to-ceiling scheme that also housed an AV unit. We worked closely with our supply partner, Stone Circle, and fitted all of the marble to the substructure at our Workshops to ensure everything was fully operational before installation.

Which products/services could you not live without when designing? E.g. Lighting companies, furniture companies : @mundyveneer
@stone_circle_uk
@robertsontechnical
@pinnock_upholstery
@alma_leather_

What are your aims and goals for the next twelve months?:
This year marks our 10th anniversary — a milestone that reflects a decade of steady growth and refinement. From a company perspective, we will remain committed to investing in our amazing 30-strong team of craftsmen and helping to bring along the next generation through practical experience and mentoring.

We really want James Wellesley to be the name on every architect’s and interior designer’s lips when it comes to their joinery packages. We love to be challenged!

Your most treasured possession?:
My family

Your favourite holiday destination?:
I always love heading home to New Zealand; its vast open spaces and epic scenery are second to none, and I love the variety of environments all packed onto what are relatively small shores.

The wine is pretty good too!

Your favourite hotel, restaurant & bar?:
Hotel: Eichardt’s Hotel, Queenstown, New Zealand, the view from the bar and restaurant on a summer’s evening, down Lake Wakaitipu fringed by the Remarkables mountain range can’t be beaten

Your favourite book, film & song?:
Book: The Count of Monte Cristo by Alexander Dumas
Film: Tricky as there are too many to name! If pushed, I’d say ‘Interstellar’
Song: Difficult, no single favourite, but an eclectic mix of bests from Faith No More, We Care Alot and Midlife Crisis to Future Islands, The King of Sweden – Small fact… Faith No More played at Eichardt’s in 1993.

Your favourite food and drink?:
Food: Surf and Turf – A large rib-eye and crayfish
Drink: A Kona, Big Wave, nothing beats a Big Wave summer sundowner

Your favourite way to spend an afternoon?:
A post-ride beer at The Hurtwood Inn in Peaslake, Surrey Hills. Nothing better after a day on the trails in the hills.

If you weren’t in this sector, what would your alternative profession be?:
Professional cyclist – Downhiller (If only!)

James Wellesley
James Wellesley

Interior Designer: Paolo Moschino

Bespoke Joinery: James Wellesley Joinery

James Wellesley has been shortlisted for Bespoke Cabinetry/Installation Award in The International Design & Architecture Awards 2026.

James Wellesley

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