What are your aims and goals for the next twelve months?
Over the next twelve months, our goal is to continue expanding our presence across Asia and North America while deepening our commitment to eco-conscious luxury, local craftsmanship, and culturally rooted design.
We also aim to further strengthen our narrative-driven approach, creating meaningful and immersive experiences that respond to our clients’ ambitions with both creativity and operational intelligence. For us, every project is an opportunity to build a unique story that feels authentic to its location, its audience, and its brand identity.
At the same time, we want to continue fostering collaborations with exceptional artisans, artists, and creative partners around the world in order to push the emotional and experiential dimension of hospitality and retail design even further.
Your most treasured possession?
Our most treasured possession is undoubtedly our creative archive thirty years of sketches, references, material research, books, and collected objects that reflect the history and identity of the studio.
Within the agency, our founder has assembled over the years a rich collection of art pieces and objects gathered from travels around the world. Alongside this, our material library, with its extensive and carefully curated collection of samples, represents an essential source of inspiration and experimentation for the team.
More than a collection, these archives embody our creative memory, our curiosity, and the cultural dialogue that continuously nourishes our design approach.
Your favourite holiday destination?
Wherever the next project takes us. We find beauty in the diversity of global landscapes.
Your favourite hotel, restaurant & bar?
Hotel: The ones that prioritize the guest journey over pure ostentation.
Restaurant: Terrace Boulud (for its immersive atmosphere).
Bar: Historic hotel bars that have stood the test of time.
Your favourite book, film & song?
Book: we have always been drawn to collections of architectural manifestos and essays, texts that explore how design can shape emotions, culture, and human experience. They are a constant reminder that architecture is not only about aesthetics, but also about storytelling and vision.
Film: In the Mood for Love remains one of our favorite films for its extraordinary sense of atmosphere, lighting, and emotional subtlety. Wong Kar-wai’s vision of Hong Kong has been a lasting source of inspiration, particularly in the way romance, nostalgia, and urban intensity coexist within the same cinematic language.
Song: A mix of French classics and contemporary global beats.
Your favourite food and drink?
A fusion of French culinary technique and local global ingredients, paired with a great vintage wine
Your favourite way to spend an afternoon?
In a workshop with artisans, refining a detail or testing a new material. We find great pleasure in those moments where ideas become tangible, when a drawing is translated into matter, texture, and proportion. It is often in the making, through trial, error, and conversation with craftsmen, that a project truly comes to life.
If you weren’t in this sector, what would your alternative profession be?:
Film production. Building a set and designing a restaurant follow the same emotional logic: both are about storytelling, atmosphere, and the precise orchestration of space, light, rhythm, and detail to evoke a feeling. We’ve always been fascinated by the way cinema constructs worlds and directs emotion through space, it is very close, in spirit, to what we do in architecture and design.
Anything else interesting?
Our team is composed of over 15 nationalities, which is our greatest strength when designing for a global audience.